Right Right starts off with Ravi joining his duty as a bus conductor in a small village. Very quickly, he establishes a good rapport with the driver Seshu as well as the regular commuters. One fine day, when Seshu gets badly drunk during his duty, Ravi is forced to drive the bus back home. During the journey, Ravi hears a sudden sound in front of the bus and thinks he hit someone. He get’s down to find a man under his bus, who is barely alive. It is the remake of Malayalam film Ordinary.

When an ambiguously Intentioned masked man kidnaps a drug addicted punk singer, it triggers a police investigation as well as a media circus.

A man tries to escape his dreams

One fateful night, the divergent paths of four high school students intersect, and as they navigate the moment's urgency, they are forced to confront their inner struggles and redefine their identities.

Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.

To save their suicidal pal Dan, five friends escape to the coastal town where they partied hard at the end of school. Jefferson, a serial troublemaker, Gareth, a pill popping ex-soapie star, Andrew, the school hero and Ed, an artist trapped in an advertising agency don't suspect that Dan has a very different reason for this weekend away...

A young boy's innocent observations leads the local priest to believe he has borne witness to a manifestation of the Virgin Mary. Set in an idyllic rural Northern Ireland in the 1950's.

After a teenage girl's perplexing suicide, a classmate receives a series of tapes that unravel the mystery of her tragic choice.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.